Vol. 5 No. 9 (2023): Revista Actos

• Roots of the essay film in Latin America

  Gustavo Celedón Bórquez, Patricia González San Martín

  3-24

  • PDF (Spanish)

• Luis Buñuel and Las Hurdes. An essay in provocative human geographies

  Carlos Navarro Fuentes

  25-42

  • PDF (Spanish)

• Migrant drift and true saying in the film “Perro Bomba” (2019)

  César Castillo Vega

  43-63

  • PDF (Spanish)

• Genealogy of color in publics objects Nuevos relatos en el contexto urbano practicado

  Robinson Javier Hakim Estibill

  64-75

  • PDF (Spanish)

• First steps of a collective investigation around the organizations of dances in Chile between 1990 and 2020

  Belen Arenas Arce, Paulina González, Gabriela Bravo, Ninoska Valenzuela, Diego Jurisic, Josefina Greene

  76-87

  • PDF (Spanish)

• The socialization of creative and/or innovative work in the university context. Proposal for presentation protocols

  Liuba Alberti Zurita

  88-95

  • PDF (Spanish)

• Arts education in Latin America and the Caribbean, the challenges of teacher training. The case of Chile and the Visual Arts.

  Maciel Morales Aceitón

  96-108

  • PDF (Spanish)

Reseñas

• Proyecto relatos breves/ Microutopías

  Mariella Sola

  109-118

  • PDF (Spanish)

Tesis de pregrado

• Rosa, rosemary and the wallflower: worldviews present in Canto a lo Poeta

  Francisca Caro Cuevas

  119-131

  • PDF (Spanish)

Entrevistas

• Entrevista a Sebastián Squella en el Ciclo de Charlas “La Práctica e Investigación Artística a 50 años del Golpe Cívico Militar en Chile”

  Juan Pablo Peragallo

  132-142

  • PDF (Spanish)

Artículos: La práctica e investigación artística a 50 años del golpe en Chile

• Ñamen, Desaparecer, venir en olvido (Danilo Espinoza, 2017): the family album and the fractures of the story el álbum familiar y las fracturas del relato

  Tania Medalla Contreras

  144-158

  • PDF (Spanish)

• Workers, tools, machines and procedures on a deep and diffuse background. The cinema as technological testimony of the factories in the Popular Unity La fábrica como co-protagonista de las producciones cinematográficas en la Unidad Popular.

  Hugo Pérez Herrera

  159-172

  • PDF (Spanish)

• 50 years after the coup Popular leadership in the experience of the Popular Amateur Experimental Theater

  Pamela Fica Molina

  173-185

  • PDF (Spanish)