Full Issue

Presentación (Español (España))

Women and musicology in Latin America: towards updating a professional canon with a gender perspective

Hacia la actualización de un canon profesional con perspectiva de género

Constanza Arraño Astete

3-17

PDF (Español (España))

Post-dictatorship music, art and culture: Women’s Uruguayan-style murga in Chile. Sound, party, identity and rebellion

Raul Suau

18-29

PDF (Español (España))

Performative and critical genre of a capitalist structure: the work of Gabriela Rivera, Bestiario (2012-2018)

Catalina Rayo Calderón

30-41

PDF (Español (España))

New forms of scenic-spatial expression in theater and technological performance (Body, space and neo-rituality)

(Cuerpo, Espacio y Neo-ritualidad)

Claudia Cattaneo

42-66

PDF (Español (España))

The notion of site-specific in the theoretical discourse of the Teatro da Vertigem

Rodrigo Bruna

67-78

PDF (Español (España))

Always on sunday: The clandestine photographs of Jorge Tiscornia in the “penal de Libertad”

Yazmin Conejo

79-100

PDF (Español (España))

Dance at the Víctor Jara School: an analysis situated from Popular Education, critical interculturality and dance studies

Paulina González

101-123

PDF (Español (España))

Self-evaluation as a skill in the performing musician: from class evaluation to the acquisition of self-evaluation skill

De la evaluación en clase a la adquisición de la destreza autoevaluativa

Mirta Conti, Alberto Díaz, Mariano Blake

124-134

PDF (Español (España))

Reseña: Desmontando el mito

Rodrigo Canales Contreras

135-138

PDF (Español (España))