Movement as a trigger for a particular theatricality

Abstract

The study and analysis of certain elements that intervene in the processes of generating meaning are proposed from the movement towards a particular notion of theatricality (-incarnated in the field of contemporary dance-) fundamentally from a focus centered on the poetic. Movement, as a sensible phenomenon, manifests itself as the bearer of a potential fabric of meaning that is interpreted and reinterpreted in turn by the different actors involved in the artistic event (who does and who observes). From there, a reflection is proposed about certain aspects present in my choreographic practice related to this notion of theatricality that arises from the movement itself, and that also draws on other ideas from the musical, such as those of silence, listening, rhythm and musicality.