Where is the concept of media arts language?

Authors

DOI:

https://doi.org/10.25074/actos.v3i6.2056

Keywords:

Language, New media art, Theory, Terminology

Abstract

The need to deepen the theoretical reflection in relation to the terminology on the conjuncture of language and its impacts of new technologies in contemporary art, facilitating an endless debate to question the absence of lexicography and the experimentation of the text, or of the aesthetic discourse. Thus, the impossibility of obtaining this concept of artistic experimentation in the media. The goal of this paper allows us to investigate from the terminology of the non-existent language to provide information, the elaboration for the dictionary or the glossary in terms of arts and new technologies, of course, for the future of the artistic production and research project. However, to theorize artistic and technological fieldwork towards social dialogue and the question of terminology with different meanings, and his own thoughts towards lexical evolution to deepen the new language. This constitutes a part of systems theory as a space for dialogue between art and technology. The language of new media art corresponds to a search for observation to ensure a greater need for different branches of human activity through new meaning.

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Author Biography

  • Diego Bernaschina, Investigador Autónomo. Santiago, Región Metropolitana, Chile.

    Hard of hearing artist, designer, teacher and independent researcher. Master in Production and Artistic Research from the University of Barcelona. ORCID: https://orcid.org/0000-0002-3317-8580. Email: diego_artista@yahoo.es.

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Published

2021-12-31

Issue

Section

Artículos

How to Cite

Where is the concept of media arts language?. (2021). Revista Actos, 3(6), 119-131. https://doi.org/10.25074/actos.v3i6.2056