The Creative Processes in the Staging of Odyssey
Adaptation by Alberto Conejero
DOI:
https://doi.org/10.25074/actos.v8i15.3196Keywords:
Research-creation, creative process, actor training, acting technique, post-dramatic theaterAbstract
This study focuses on reflecting upon the creative processes developed by the artistic team for the staging of Odisea, adapted by Alberto Conejero and directed by Rennier Piñero, produced by the Theater Company of the Faculty of Performing Arts at the UANL in 2025. The analysis addresses the creative dynamics of the actors, actresses, and other participants, with a particular emphasis on the use and integration of theatrical and dance techniques. To this end, a research-creation approach is adopted in dialogue with a qualitative methodology based on case study and documentary analysis, allowing for the collection and examination of information directly from the production members. Based on this process, the main findings regarding the methods of work, exploration, and scenic construction that shaped the proposal are presented.