What if…? A dialogue about contemporary art and science: questioning museum spaces today Article Sidebar PDF (Español (España)) Published Dec 23, 2022 DOI https://doi.org/10.25074/actos.v4i8.2392 Author Biographies Andrea Avendaño, Investigadora Autónoma. Museo de la Nada, Valparaíso, Chile. Visual artist and educator. School of Visual Arts. New York. USA. Founder Museum of Nothing. Chili. Anthropology student. Institute of Higher Social Studies, San Martín, Argentina. Email avendanoandrea@gmail.com. ORCID https://orcid.org/0000-0002-3354-4077 Susan Dorsey, National Parks Foundation. Washington, Estados Unidos. Biologist and artist. Independent Investigator. USA. susan.jennifer.dorsey@gmail.com. ORCID https://orcid.org/0000-0002-4008-5980 Main Article Content Andrea Avendaño Investigadora Autónoma. Museo de la Nada, Valparaíso, Chile. https://orcid.org/0000-0002-3354-4077 Susan Dorsey National Parks Foundation. Washington, Estados Unidos. https://orcid.org/0000-0002-4008-5980 Article Details Issue Vol 4 No 8 (2022): Revista Actos Section Artículos How to Cite Avendaño, A., & Dorsey, S. (2022). What if…? A dialogue about contemporary art and science: questioning museum spaces today, 4(8), 3-12. https://doi.org/10.25074/actos.v4i8.2392 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract What if museums could be community spaces that elevate local stories, histories and futures? What if contemporary art could be used in museums to encourage the co-creation of knowledge through dialogue and experimentation while centering equity? What if there was a recognition that we all have knowledge to contribute, share and shape with while decentering the idea of ‘the expert’? This work will showcase the dialogue between two researchers interested on a new reality for museums and exhibition spaces, from the perspective of contemporary art and science. The above three stimulations will be explored through biomimicry, contemporary art and sustainability, as a frame to work with rural schools. We come from the premise that, in order to conceptualize equitable education, we must explore and implement reciprocity, collaboration and commitment, just as decolonial pedagogy has suggested. We believe these concepts offer alternative ideas as to what a museum can be; a space where the community holds the decision-making power in managing their cultural heritage and its place in history. Our work will demonstrate how community museums and contemporary arts can build spaces that offer more than exhibitions by representing local voices through co-creation. In doing so, we aim to provide the answers to the overarching provocation: What if museum spaces worked for a bigger social equity in their territories? Keywords Art Biomimechry Decolonial pedagogy Co-creation Museums