Movement as a trigger for a particular theatricality Article Sidebar PDF (Español (España)) Published Dec 31, 2021 DOI https://doi.org/10.25074/actos.v3i6.2143 Author Biography Talía Falconi, Universidad de las Artes. Guayaquil, Guayas, Ecuador Bailarina, coreógrafa y docente de la carrera de danza, Escuela de Artes Escénicas, Universidad de las Artes, Guayaquil, Ecuador. Master mención Danza, Universidad Paris 8, Francia. https://www.taliafalconi.com/ https://taliafalconi-federicovaldez.weebly.com/ Mail: taliafal2016@gmail.com. Main Article Content Talía Falconi Universidad de las Artes. Guayaquil, Guayas, Ecuador https://orcid.org/0000-0002-8727-9504 Article Details Issue Vol 3 No 6 (2021): Revista Actos Section Artículos How to Cite Falconi, T. (2021). Movement as a trigger for a particular theatricality, 3(6), 19-33. https://doi.org/10.25074/actos.v3i6.2143 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract The study and analysis of certain elements that intervene in the processes of generating meaning are proposed from the movement towards a particular notion of theatricality (-incarnated in the field of contemporary dance-) fundamentally from a focus centered on the poetic. Movement, as a sensible phenomenon, manifests itself as the bearer of a potential fabric of meaning that is interpreted and reinterpreted in turn by the different actors involved in the artistic event (who does and who observes). From there, a reflection is proposed about certain aspects present in my choreographic practice related to this notion of theatricality that arises from the movement itself, and that also draws on other ideas from the musical, such as those of silence, listening, rhythm and musicality. Keywords Theatricality Movement Dance Contemporary dance Body
