Radrigán antes de Radrigán Breves notas introductorias sobre los antecedentes literarios de un clásico del teatro chileno Article Sidebar PDF (Español (España)) Published Dec 29, 2023 DOI https://doi.org/10.25074/actos.v6i10.2623 Main Article Content Adolfo Enrique Albornoz Farías UNIVERSIDAD AUSTRAL DE CHILE. INSTITUTO DE LINGÜÍSTICA Y LITERATURA. FACULTAD DE FILOSOFÍA Y HUMANIDADES. https://orcid.org/0000-0001-6998-9847 Article Details Issue Vol 5 No 10 (2023): Revista Actos Section Artículos How to Cite Albornoz Farías, A. (2023). Radrigán antes de Radrigán, 5(10), 39-50. https://doi.org/10.25074/actos.v6i10.2623 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract In 1979, Juan Radrigan premiered his first play: Testimonio de las muertes de Sabina [Testimony of Sabina’s Many Deaths]. In 1980, he organized his own theatrical troupe, the Teatro Popular El Telón [The Curtain Popular Theatre]. And in 1981 his work Hechos consumados [When All is Said and Done] received the Critics Play of The Year Award. Soon Radrigan became the main playwright emerged during the dictatorship and since then has been known as “the playwright of the outcasts”. Until now, the novels, short stories, and poetry that Radrigan wrote before he started producing theatre, have not been studied. From a first glance to these materials, this paper proposes innovative approaches to rethink Radrigan’s theatre and, at once, the chilean theatrical field during the post-coup years. Keywords Chilean theatre, Theatre and politics, Dictatorship, Gustavo Meza, Juan Radrigán