exiTlio in pectore extrañamiento. Cultural Resistance and Memory at the Theatre Performance by Alberto Kurapel Article Sidebar PDF (Español (España)) Published Dec 29, 2023 DOI https://doi.org/10.25074/actos.v6i10.2513 Author Biography Susana del Pilar Cáceres Moya, CENTRO LATINOAMÉRICANO DE TEATRO-PERFORMANCE, CANADÁ Master of Science in Education from the University of Montreal, Canada. (1997) Theatrical Researcher and Cultural Manager. Co-founder, with Alberto Kurapel of the Compagnie des Arts Exilio, (first Latin American Theater-Performance Company, from Canada), where she assumes the audiovisual direction, and production and the administrative direction (1981-1996). Actress and Performer in the plays created by Alberto Kurapel, with whom she participates in the creation "Inesperanzas" at the Venice Biennial (2003). Lecturer. Numerous articles, lectures and photographs published in books, newspapers and specialized magazines: "L'Éveil", essay on theater and creativity (1996), Humanitas-Nouvelle Optique; Co-editor of the book: «The Theater-Performance of Alberto Kurapel. Critical Approach», which contain writings from the International Colloquium Poetics Hybrids, Memory, Performance in the creation about Alberto Kurapel», (Chile 2011, Editorial Cuarto Propio, 2014). Translator to the Spanish of the work by André Helbo: “Le théâtre: Texte ou Spectacle vivant?” Editorial Galerna, Argentina, 2011. Main Article Content Susana del Pilar Cáceres Moya CENTRO LATINOAMÉRICANO DE TEATRO-PERFORMANCE, CANADÁ https://orcid.org/0009-0007-1784-0320 Article Details Issue Vol 5 No 10 (2023): Revista Actos Section Artículos How to Cite Cáceres Moya, S. (2023). exiTlio in pectore extrañamiento. Cultural Resistance and Memory at the Theatre Performance by Alberto Kurapel, 5(10), 2-24. https://doi.org/10.25074/actos.v6i10.2513 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract We want to share and rescue a small part of the creative contribution of the work of Alberto Kurapel, who, from his exile, undoubtedly installs one of the most powerful artistic practices of cultural resistance that we can discover in this commemoration of the 50th anniversary of the coup de state of 1973. The theatrical, performative, poetic, musical and essay work of this artist is an example of how art transcends its own limits, preserving the traces of historical, social, collective and personal memory, to erect and produce from an exiled work, artistic expressions that reach our days denouncing, showing and evidencing the horrors of the Chilean and Latin American dictatorships and addressing the problem of otherness. From this vision, he manages to innovate and create an interdisciplinary, transmedia (including audiovisual media such as film, video, slides), rhizomatic drama that includes hybridity, bilingualism, and addresses the problem of forced displacement, migration, and exile. , characteristics that incorporate scenic language: fracture, loss of language, culture, isolation, loneliness. We make a brief analysis of the work "exitlio in pectore extrañamiento", a work created in exile by Kurapel and his Company in 1983, published in 1987, which clearly demonstrates how a marginal creation can become a landmark of artistic cultural resistance if it is linked to the collective experiences and with the social-historical-cultural and political processes that cause them. Keywords Cultural resista Cultural resistance Exile Alterity Hibridity Memory Theater-Performance
