La The dance from the human essence of inhabiting The dance from the human essence of inhabiting

Abstract

Investigation that develops from the question: In what way does the action of inhabiting the dance movement on the part of the performer in dance become the code that facilitates communication with the viewer ?, breaking down into two thematic axes which allowed us to know the key concepts that make up the research question: "To inhabit and act in the dance movement" is the first axis addressed from the studies of philosophy, geography and physics, to then develop the second axis, "The interpreter and his relationship with the viewer "from philosophy, dance and theater. The investigation was conducted under a qualitative approach and from a phenomenological study of the subject, from semi-structured interviews the data obtained was analyzed, thus developing two major themes: "Build the dance" and "The relationship between interpreter and spectator". Which responded to the specific objectives of this investigation: to investigate the concept of inhabiting the dance movement, to understand the communicative relationship between performer and spectator, to relate the concept of inhabiting the dance movement with the communication between interpreter and spectator.

Inhabit

Dance movement

Interpreter

Audience