Thinking the time: a modern gesture in the Cristián Sánchez cinema Thinking the time: a modern gesture in the Cristián Sánchez cinema Article Sidebar PDF (Español (España)) Published Dec 31, 2019 DOI https://doi.org/10.25074/actos.v1i2.1503 Author Biography Vladimir Silva Oyaneder, Universidad de Viña del Mar Vladimir Silva Oyaneder Universidad Viña del Mar Colaborador revista LAFUGA Main Article Content Vladimir Silva Oyaneder Universidad de Viña del Mar Article Details Issue Vol 1 No 2 (2019): Revista Actos Section Artículos How to Cite Silva Oyaneder, V. (2019). Thinking the time: a modern gesture in the Cristián Sánchez cinema, 1(2), 19-40. https://doi.org/10.25074/actos.v1i2.1503 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract The main objective of this piece is to analyze the cinematographic work produced in the 1980s by the Chilean director Cristián Sánchez. To achieve this, first, we will try to insert the filmmaker’s cinema under the category of modern cinema, linking it, in addition, with a reflexive and critical process that seeks to think - from the cinema as elaborate discourse - the world that was contemporary to him. To do this, we will pay attention to the configuration of an image linked to the slowdown of cinematographic time as a critical proposal that, while reflecting on the cinematographic image, also does it about historical time and the mismatch caused by the implantation of neoliberalism in the daily life of the characters he proposes. Keywords Modern cinema Historical time Cinematographic time Neoliberalism Cristián Sánchez
