Scenography for thought About the 'space' in Peter Sloterdijk's spherology Article Sidebar PDF (Español (España)) Published Dec 21, 2020 DOI https://doi.org/10.25074/07197209.20.1706 Author Biography Diego Pérez Pezoa, Universidad de Chile Doctor en Filosofía, Estética y Teoría del Arte, Universidad de Chile Main Article Content Diego Pérez Pezoa Universidad de Chile Article Details Issue Vol 10 No 20 (2020) Section Artículos How to Cite Pérez Pezoa, D. (2020). Scenography for thought. Revista De Geografía Espacios, 10(20), 120-138. https://doi.org/10.25074/07197209.20.1706 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver estadisticas Downloads Download data is not yet available. Abstract The following article intends to visualize and reflect on the notion of space in Peter Sloterdijk's work. In the Sloterdijk's work a post-metaphysical revaluation of space is woven, which implying a series of reconsiderations and changes of route in the contemporary debate of philosophy. Although, the consequences of the debate are inevitably carried over to those dichotomous traditions of thought that study space following the extrapolated metaphysical effort between subject and object. Initially, we will present a brief historical overview of the notion of space in modern philosophy, to later relate the reception of the spatial category in the author's aesthetic and political thought: an ontotopology, in Sloterdijk, accompanies the spherological project. And, finally, to diagram a reading vector for a future of philosophy focused, now, on reflecting on the diverse cultural and material modes that allow philosophical thinking in a global world. Keywords space philosophy ontotopology spherology